This exhibition begins with a question about the very nature of the image. If, as Kandinsky proposed, visual composition is structured around the point, the line, and the plane, this project suggests imagining a fourth element: the cube. In this dimensional progression, the plane corresponds to the domain of the image, while the cube belongs to that of the object. The exhibition explores the threshold between the two. Through risograph prints fragmented at multiple scales, an image—hands holding a flower—is broken down into a series of parts that only acquire meaning in relation to one another.
The blocks of paper invite you to tear them and take a fragment with you. This gesture introduces the body into the logic of the image: seeing it is no longer merely observing it, but also interacting with it. By separating from the whole, each fragment acquires its own scale and becomes an object. Thus, the image does not remain fixed on the plane, but moves between the two-dimensional and the three-dimensional through the viewer's action. In this transition, the image recovers its materiality and its status as a shared gesture.
