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FRAGMENTOS DE UN GESTO
FRAGMENTOS DE UN GESTO
This exhibition begins with a question about the very nature of the image. If, as Kandinsky proposed, visual composition is structured around the point, the line, and the plane, this... Read more...
MANTELES Y BALDOSAS
MANTELES Y BALDOSAS
Our first exhibition of 2026 presents an approach to the domestic world as a territory of emotional memory. The everyday appears here as a material gesture defined by its repetition:... Read more...
INTUICIÓN BRUTAL
INTUICIÓN BRUTAL
Brutal Intuition proposes an approach to chance as an affective territory from which to consider migration, luck, risk, and gambling. From the outset, the exhibition begins in a specific location:... Read more...
FAGRADASFJALL
FAGRADASFJALL
Volcanoes are metaphors for time and evoke the tension between contemplation and fascination. For this work, Felipe Barreiro takes as his starting point the image of the Fagradalsfjall volcano in... Read more...
CUL de BAL
CUL de BAL
PAISAJE presents ...CULdeBAL; a project that makes visible and evident the intersection between photography, art, and fashion, all stemming from the same origin: the image. Here, the medium expands—from the... Read more...
SAMPLES
SAMPLES
In SAMPLES, José Darcy Cabrera presents two compositions that emerge from the regrouping and rearrangement of visual fragments. Posters, clippings, personal pictorial gestures, and screen prints of figures linked to... Read more...
RITUAL FUNERARIO
RITUAL FUNERARIO
Antonio Imedio Read more...
“Una gran nube negra, como una gigantesca gallina que hubiese puesto un huevo de oro, puso la luna sobre una colina.”
“Una gran nube negra, como una gigantesca gallina que hubiese puesto un huevo de oro, puso la luna sobre una colina.”
The unusual length of this exhibition's title is linked to the visual power of this phrase from Juan Ramón Jiménez's book Platero and I (1914). This story is composed of... Read more...
YUNQUE & PLUMA
YUNQUE & PLUMA
How are planes articulated in a composition when their dimensions are complicated by asymmetrical shapes, angles, and details? This question permeates the work of Ángel Farías (1999), whose visual narratives,... Read more...
CANCIÓN PASTORAL
CANCIÓN PASTORAL
The first exhibition in the PAISAJE art program presents a series of works by Bogotá-based artist Pablo Baresch (1994) that explore narratives of Latin American landscapes transfigured into a fantastical... Read more...